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Hunter S. Thompson: The Death of an American Legend

Thursday February 24th, 2005, by Am Johal

"That was the year I first met him, at a riot on that elegant little street in front of the White House. He

was yelling into a bullhorn and I was trying to throw

a dead, bleeding rat over a black-spike fence and onto

the president’s lawn.

We were angry and righteous in those days, and there were millions of us. We kicked two chief executives

out of the White House because they were stupid

warmongers. We conquered Lyndon Johnson and we stomped

on Richard Nixon — which wise people said was

impossible, but so what? It was fun. We were warriors

then, and our tribe was strong like a river.

That river is still running. All we have to do is get out and vote, while it’s still legal, and we will wash

those crooked warmongers out of the White House."

— Hunter S. Thompson on John Kerry in one his last writings on the campaign trail in 2004 for Rolling

Stone.



The whole world now knows that Hunter S. Thompson put

a bullet in his head a few days ago. He was

suffering from recent health issues including a hip

replacement and a broken leg.

But he sure went out with a bang.

Apparently he’s put in his

will that he wants his ashes shot out of a cannon.

It would be a fitting end to the fucked up life of a

crazy man.

When I first read "The Kentucky Derby is Decadent and

Depraved" originally published in Scanlan’s, it was

wild-eyed and freaky, like I was reading the words of

an insane man shot up with booze and drugs on a wild

weekend with his British cartoonist pal. He had

essentially suffered a breakdown and the piece was

designed to be his kiss off to journalism and his

editors in general. Instead, it became one of his

signature pieces which helped build his reputation as

one of the authentic voices of the American

counterculture.

It was beautiful. It was original. There was no

artifice or formality to it. Even now, it still

dances off the page like a sucker punch as one of the

first pieces of

gonzo journalism ever written.

Hunter S. Thompson was to journalism what Muhammad Ali

was to boxing.

Hunter S. Thompson put himself into the story and made

himself the central character in the narrative. In

that way he was different than the other founders of

New Journalism like Tom Wolfe who preferred to be a

wallflower, a detailed observer. They were both

groundbreaking but in different ways. No one skewered

the sell out of the 60’s hippie generation quite like

Thompson.

As the mass media has become more concentrated, our

public realm has suffered at the hands of ’objective

journalism.’

Hunter S. Thompson was an original ground breaking

anarchist who told people to "walk tall, kick ass,

learn to speak Arabic, love music and never forget

that you come from a long line of truth seekers,

lovers and warriors."

He was an outspoken crank in Aspen and once ran for

sheriff of Pitkin County on the "Freak Politics"

ticket on a promise to change Aspen’s name to Fat

City.

He hung out with the Hells Angels for a year and then

they beat him up after he wrote about it. After

writing for a military paper, Thompson was given an

honorable discharge and later went on to write for a

bowling magazine in Puerto Rico before sending in wire

stories from South America. His early classics like

"Fear and Loathing in Las Vegas" and "Fear and

Loathing on the Campaign Trail" added to his later

works which were characterized by his brutal critique

of the downfall of the American dream. He was widely

known for his writing and editing for Rolling Stone

Magazine.

Hunter S. Thompson was the kind of writer that makes

you want to buy a hand gun and shoot it in to the sky.

That means something in this decadent, deprived age.



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